great mac computer games for people who like nintendo

Great mac computer games for people who like nintendo series#

Through the Darkest of Times (Switch, PS4, Xbox One, iOS, Android, PC, Mac) Still, it’s a compelling study of fruitless vengeance, for those who can stomach it. The game is a towering technological achievement, and tastefully written-but its critique of video-game violence can feel patchy, partly because its own brutality is so slickly entertaining. Revenge motivates each of the women, who belong to warring factions, and the game builds to a gruesome conclusion: a protracted fistfight, without music, in which we are forced to become intimate, reluctant participants. This exquisitely rendered, deeply brutal game evokes an old maxim: “An eye for an eye makes the whole world blind.” The story follows two young women in a post-apocalyptic America, where scavenger communities battle for territory and dwindling resources. The storytelling is perfectly pitched, and the thrills of the shifting maze invite endless attempts. The game’s difficulty is part of its joy you quest closer and closer to the exit before, health depleted, you are sent back to your bedroom.

Great mac computer games for people who like nintendo series#

Hades, an infuriating father with boomer energy, is only too happy to see you try, though he places a series of minions in your path. You play as Zagreus, a son of Hades who, in the throes of teen angst, is desperate to escape the underworld and join his kin on Mount Olympus. Hades is truer to the source material here is a world of Kardashian-esque gossip and intrigue, loyalty and bitchiness, all enacted at the celestial level. Most riffs on the ancient Greek myths fixate on grandiosity: the gleam and power of Zeus and his extended family. Here, in no particular order, are some of the best. Still, away from the corporate mainstream, artists continued to offer alternatives: games that were bold and nourishing, and that made a tough year just a tiny bit brighter. The idea that the great issues of our time can be solved by weapons, for example, seems to me not just a weakness of games but, increasingly, a failure of the human imagination, with consequences on a global-industrial scale.

The capacity to order chaos is comforting, arguably the medium’s greatest appeal, and yet I increasingly find these particular kinds of stories hollow.

Perhaps that’s because they so often present us with a world in crisis, one which we alone can fix, usually through violent means. Personally speaking, video games, with their synthetic rewards and twinkly distractions, didn’t quite manage to assuage my weariness with the world this year. Some veterans, too, might have been thrust into an uneasy relationship with the form. In quarantine, many parents saw the quasi-divine power that games hold over their children-even as those games provided surrogate playgrounds, places where friendships could be nourished. New Yorker writers reflect on the year’s highs and lows.